There are lots of different types of quotes. Use the one that best suits what you're trying to achieve in your example.
An in-text quote is a short quote that fits into and completes a sentence you've written. It's great for introducing ‘scare quotes' and short phrases that add interest to your writing.
Below is an in-text quote that tries to show Fawkner's belief in equal voting rights for all men:
[...] Acccording to John Pascoe Fawkner, 'all men have equal political rights,' whether they had once been convicts or not.
An indirect quote is when you paraphrase ideas from a source. They're useful when the main idea is important, but the quote itself is too long or complex. You don't use quotation marks for these.
A direct quote is when you take text directly from a source without changing anything. Direct quotes often sum up exactly the point you're trying to make and need no further explanation.
“There were two things about this particular book (The Golden Book of Fairy Tales) that made it vital to the child I was. First, it contained a remarkable number of stories about courageous, active girls; and second, it portrayed the various evils they faced in unflinching terms. Just below their diamond surface, these were stories of great brutality and anguish, many of which had never been originally intended for children at all. (Although Ponsot included tales from the Brothers Grimm and Andersen, the majority of her selections were drawn from the French contes de fées tradition — stories created as part of the vogue for fairy tales in seventeenth century Paris, recounted in literary salons and published for adult readers.)
I hungered for a narrative with which to make some sense of my life, but in schoolbooks and on television all I could find was the sugar water of Dick and Jane, Leave it to Beaver and the happy, wholesome Brady Bunch. Mine was not a Brady Bunch family; it was troubled, fractured, persistently violent, and I needed the stronger meat of wolves and witches, poisons and peril. In fairy tales, I had found a mirror held up to the world I knew — where adults were dangerous creatures, and Good and Evil were not abstract concepts. (…) There were in those days no shelves full of “self–help” books for people with pasts like mine. In retrospect, I’m glad it was myth and folklore I turned to instead. Too many books portray child abuse as though it’s an illness from which one must heal, like cancer . . .or malaria . . .or perhaps a broken leg. Eventually, this kind of book promises, the leg will be strong enough to use, despite a limp betraying deeper wounds that might never mend. Through fairy tales, however, I understood my past in different terms: not as an illness or weakness, but as a hero narrative. It was a story, my story, beginning with birth and ending only with death. Difficult challenges and trials, even those that come at a tender young age, can make us wiser, stronger, and braver; they can serve to transform us, rather than sending us limping into the future.”
― Terri Windling, Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales